Finalists announced for the 2025 Twyg Sustainable Fashion Awards
Meet the 2025 finalists
Tag: Africa
Wool, land and people of Morocco
These photos by Pierre Girardin show how craft, climate, and community are inseparable
Q&A: Talking beauty with the brain behind SU Skincare
Find out more about SU Skincare's Sindisiwe Cele
Twyg Sustainable Fashion Awards 2025
Are you implementing sustainable, circular and regenerative approaches to fashion design? Are you fostering ethical practices?
Africa Textile Talks Day 3: Thread with Care
Titled Thread with Care, the final day of the Africa Textile Talks 2025, took a deep dive into the culture of cloth, innovation, indigenous knowledge, industrialisation and decentralisation. Speakers from Namibia, Zimbabwe, Uganda, Nigeria, South Africa and Mozambique shared stories about...
Africa Textile Talks Day 1: Circular solutions for South Africa’s textile industry
Circularity was the focus of the first day of Africa Textile Talks 2025 on 29 July at the V&A Watershed in Cape Town. A broad range of industry players from small businesses and independent designers to representatives from national retailer...
Explore Threads of Renewal
This year Africa Textile Talks extended its offering with an exhibition titled Threads of Renewal curated by Twyg’s fashion editor, Tandekile Mkize. Open for the duration of the talks programme, 29 July – 2 August, the exhibition created a space...
The natural evolution of Industrie Africa
When Nisha Kanabar founded Industrie Africa in 2018, the global conversation around African fashion felt stagnant with repetitive tropes, heritage clichés, and little space for evolution. This motivated her to challenge Western perceptions of African design, and to boost international...
Q&A: How KWA draws on Batswana traditions to create modern talismans
Afrocentrism lies at the heart of KWA’s design philosophy. The jewellery brand was founded to honour the culture and traditions of the Batswana people, using materials like cowrie shells and indigenous beads and handcrafting every piece in Botswana. Its founder,...
Q&A with Mozambican textile maker Wacy Zacarias
For Mozambican designer, healer, and storyteller Wacy Zacarias, textiles are more than materials: they’re tools for healing, remembering, and regenerating. “I don’t just design with aesthetics in mind,” she says. “I design with purpose, ritual, and relationship.” Sustainability is woven...
Q&A: How Up-Fuse repurposes waste from Cairo’s Garbage City
Up-Fuse is a social enterprise founded in 2015 by Yara Yassin, Rania Rafie and Lama El Khawanky. The organisation operates from Cairo’s Garbage City, an informal settlement on the Egyptian capital’s outskirts, which has no effective official garbage system. The...
Q&A with founders of new African luxury fashion rental platform R’Frique
Luxury redefined: R’Frique is making high-end African fashion more accessible and sustainable—one rental at a time. In this Q&A, founders Ceejay Ndlovu and Lebi Barfour-Osei share how their platform champions slow fashion, celebrates African design, and challenges the norms of...
Q&A: Kenyan designer Jamie Kimani uses fashion to foster pride and self-expression
Jamie Kimani is the founder and creative director of Sevaria, a Nairobi-based brand that includes upcycled and deadstock materials to produce genderfluid pieces. His collections feature made-to-order or limited edition garments, finding inspiration from African cultures and religions. “We’re keen...
How a design duo created their made-in-Nigeria fashion brand This is US
A husband-and-wife design duo were inspired by a chair. A simple, curved wooden design with red upholstery fabric that survived decades in Osione Itegboje’s family home was formative to their Nigerian brand This is Us. What is unique about this...
Q&A: Shelley Mokoena of Connade redefines minimalism
Shelley Mokoena is the artist, designer and creative director behind Connade, the experimental luxury womenswear brand based in Johannesburg. She describes her work as meeting at the intersection of sculptural and surreal, ancient and contemporary. This is evident in Connade’s...